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Arts, Black --- Exhibitions --- -Black arts --- Negro arts --- -Exhibitions --- Black arts --- Arts, Black - Africa, Sub-Saharan - Exhibitions

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African literature --- Art --- Africa --- Arts, African --- Arts, Black --- Black arts --- Negro arts --- African arts --- Arts, Sub-Saharan African --- Sub-Saharan African arts --- Arts, African. --- Arts, Black.

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In 1934, Nancy Cunard published Negro: An Anthology, which brought together more than two hundred contributions, serving as a plea for racial justice, an exposé of black oppression, and a hymn to black achievement and endurance. The anthology stands as a virtual ethnography of 1930s racial, historic, artistic, political, and economic culture. Samuel Beckett, a close friend of the flamboyant and unconventional Cunard, translated nineteen of the contributions for Negro, constituting Beckett's largest single prose publication. Beckett traditionally has been viewed as an apolitical postmodernist

African American arts. --- Arts, Black. --- Blacks. --- Afro-American arts --- Arts, African American --- Negro arts --- Ethnic arts --- Black arts --- Negroes --- Ethnology --- Africa --- Civilization. --- Black persons --- Blacks --- Black people.

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This work documents & analyzes Hoyt Fuller's profound influence on the Black Arts movement. Using historical snapshots of Fuller's life & activism as a means to rethink the period, 'Building the Black Arts Movement' provides a fresh take on the general trajectory of African American literary, & cultural, studies as the field developed over the course of two explosive decades in the mid-twentieth century. The text argues that the Black Arts movement can be understood as a pivotal & volatile moment in the long history of America's culture wars.

Black Arts movement. --- Black nationalism --- African American arts --- African Americans --- Afro-American arts --- Arts, African American --- Negro arts --- Ethnic arts --- History --- Intellectual life --- Fuller, Hoyt, --- Fuller, H. W.,

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The years between the collapse of Reconstruction and the end of World War I mark a pivotal moment in African American cultural production. Christened the "Post-Bellum-Pre-Harlem" era by the novelist Charles Chesnutt, these years look back to the antislavery movement and forward to the artistic flowering and racial self-consciousness of the Harlem Renaissance. Post-Bellum, Pre-Harlem offers fresh perspectives on the literary and cultural achievements of African American men and women during this critically neglected, though vitally important, period of our nation's past. Using a wide range of d

African American arts --- African American arts. --- Kultur. --- Literatur. --- Schwarze. --- 1800-1999. --- Geschichte 1877-1919. --- USA. --- Afro-American arts --- Arts, African American --- Negro arts --- Ethnic arts --- History --- 20th century --- 19th century